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40 Years..Where did they go?

RWIGWH

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On this day… 03 Jan 1964
'My Baby Left Me / Hoochie Coochie Man' by Dave Berry was released

Today sees the release of My Baby Left Me by Dave Berry. It was recorded in Decca Number Two Studios in West Hampstead, London. This was one of those sessions with guitarist Big Jim Sullivan. He was one of the seasoned sessioneers and I was the new kid on the block. But on this I played lead guitar. Dave Berry was known for his unusual delivery and unique stage presence in a live situation. His musical taste was also quite eclectic. He probably knew this number by Big Boy Arthur Crudup, as well as Elvis Presley.
[ame=http://www.youtube.com/watch?v=KqL71rZjb2s]Dave Berry-My Baby Left Me. - YouTube[/ame]
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RWIGWH

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I played the XYZ sessions at The Sol

The first playing I did after Led Zeppelin split up was with Chris Squire and Alan White - the rhythm section of Yes. They got in contact and said they had some material and I said I had a studio. This was the best medicine I could have had at this time and I knew that playing with them might be quite challenging, knowing the quality and precision of the music they had established with Yes. In fact, the combination of the three of us proved to be substantial. Chris had supplied bass, piano and vocals, with Alan on backing vocals and drums. Chris even had a name for the outfit - XYZ - and I believe they hoped Robert Plant would have a listen but I think he was occupied. And the party was over. However, the music that was done at this point was really good.



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XYZ - Telephone Secrets

[ame=http://www.youtube.com/watch?v=sykd7S4dxEw]XYZ - Telephone Secrets - YouTube[/ame]
 

RWIGWH

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Happy Birthday, Mr. Jones!

66 years old today.
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RWIGWH

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Song Of The Day


Picture for a moment that you are standing at the edge of a cliff, a majestic sunrise breaking through the sky as the dawn of a new day gently kisses the ocean. Overhead, birds fly lazily about calling to each other in a language that only they understand. You can smell the pure beauty of nature and taste the salt from the ocean spray as all your senses are awakened in one dramatic moment. You are standing at the threshold of something exciting and new. You may not be quite certain what it is exactly, but it most definitely feels right. As if perfection had placed her hand upon your cheek.
If you are in the mood for a journey that will examine the very roots of such a time, then join me won’t you, as we drift along, together, back to the very first album released by Jimmy Page, Robert Plant, John Paul Jones and John Bonham; Led-Zeppelin. It is side one of the LP, track two, clocking in at 6:40 of pure bliss and wonderful foreshadowing, Babe I’m Gonna Leave You.
It is impossible now, in 2006, to try and imagine a time when only one Led-Zeppelin album existed. Yet, that is what I am going to ask you to do right now. In your world right now only nine songs represent this group. Nine songs. Now try and imagine you have just purchased this album, either because a friend suggested it, or a disc jockey on the radio was singing its praises. You have just listened to the first track, a good rock number titled Good Times Bad Times. Oh sure, you are familiar with Jimmy Page and his prior work. You have a couple of Yardbirds albums, and the name John Paul Jones rings a slight bell, though you aren’t really sure how it is that you know his name. These other two members of the group though are unknown. You noticed on the first track that the drummer has some skill and you appreciate the singers range, but you are still trying to take this all in.
And then it happens; you find yourself standing at the edge of the cliff. Everything you have come to know about music is about to change. The rules are about to be broken. You aren’t sure why, can’t really place your finger on it, but this band is on to something. And that something is really special.
From the heavy rock and blistering guitar solos found on track one, you now are surrounded by a lone, acoustic guitar. The music is sad; the feel of the piece is one of terrible longing. Just like that you are transported to another experience; one of a completely different origin than on the first track. You find yourself being pulled in, as if a voice is beckoning you. The notes linger in the air, the melancholy echo of their cry calls out to you. Completely powerless you succumb to their will as if in a trance.
Babe…baby, baby I’m gonna leave you I said baby…you know I’m gonna leave you I’m…leave you when the summer time Leave you when the summer comes a rollin’ Leave you when the summer comes along​

Suddenly, without warning, everything just explodes, catching you quite off your guard. With nothing more than an acoustic guitar, bass and drums the song ascends to a perfect outpouring of emotion. This band is tight. Everything about this track tells you that something exciting and new is taking place. This music, this breaking of all the musical rules, makes you feel very much alive. But what is it? These guys are pushing the very limits here. You haven’t heard anybody try anything like this. Why? From the sad and subtle acoustic guitar to the full band in unison breaking through any and all barriers that have been in place prior, this band with this album, are out to prove a point.
It suddenly dawns on you; you have heard this song before. It was Joan Baez. Suffice to say, Ms. Baez’s version is absolutely nothing like this. There is a general feeling pulsing through your veins that says; this is how music should be played.

Babe…babe…babe…babe…babe…babe…baby Baby I wanna leave you I ain’t joking woman I’ve got to ramble Oh yeah… Baby…baby I’ll be leaving Really got to ramble I can hear it callin’ me the way it used to do I can hear it callin’ me back home…​

The roller coaster ride of emotion continues with the music swelling, lifting you up in one instant, and gently bringing you back down in the next. The drummer, John Bonham, has proven in two songs just how amazing he is. Here, his controlled outbursts never fail to lift the song up and give it wings. He plays with power and precision, but he also displays a keen sense of feel. This guy isn’t just about the power.
Jimmy plays some sparse yet effective single note lines that really pierce the soul of this song. The pain, the anguish, the feeling of longing, these things are all present in his guitar artistry. At one point he even plays a few lines on slide guitar, utilizing all the weapons available to deliver a masterpiece.
Robert Plant is nothing short of awe inspiring during this performance. Not only his vocal range, but his control and the ability to express much emotion are staggering. Considering his young age at this time it is really a great testament to his abilities and what he offers musically within the group.
Babe I’m Gonna Leave You was Led-Zeppelin standing at the edge of the cliff. This is the song that gave fair warning to all. This was the song that hinted, ever so powerfully, of what was to come. It represented the light and shade, the heavy and soft, the whisper to a scream; all these would later evolve into the trademark sound of Led-Zeppelin. This song, their delivery and use of dynamics, was the prelude to later Zeppelin masterpieces. Everything from Thank You to Gallows Pole to Over The Hills and Far Away to The Rain Song to Ten Years Gone and yes, to the one song that lifted the band to their greatest heights, Stairway To Heaven.
It all started here, on side one of their first album, track two. They proved with this track that they were willing, and quite able, to take chances that others wouldn’t, or couldn’t, take. You see, it’s not like every band could just whip out a tune like this. It takes great imagination for one, but it also takes tremendous talent. Most bands lack the talent to pull off a number like this. With Led-Zeppelin, talent was one of the many things they had an abundance of.
During their first two tours Zeppelin performed this number. Sadly it was dropped after that. It wasn’t until Robert and Jimmy reunited in 1994 for the No Quarter album and subsequent tour that the track was revived. There are some amazing bootlegs of the Japan tour in early 1996 with this track a staple in their set. On their 1998 Walking Into Clarksdale tour the duo again chose to revisit this number. One interesting note; in the live versions that took place from the mid-1990’s on Jimmy would conclude the song by teasing the crowd with the intro to Stairway.
It is really quite difficult to describe properly just how incredible this song is in the hand of Jimmy Page and Robert Plant. Certainly the version on Led-Zeppelin has stood the test of time. It helped set a precedent that would later define Led-Zeppelin. They took the musical bar and raised it several notches with their rendition. But as amazing as the studio version is, their live versions are always a wild ride too. I was so happy to see them dust this classic song off and offer it up to their fans in the 1990’s, particularly since so many of those fans never had the opportunity to experience Led Zeppelin perform this.
Even now, as Robert reinvents himself yet again with Strange Sensation he performs this number. In a live setting Robert tends to drift into new territory whenever he plays this. Always expanding the song, always stretching the boundaries, always pushing the envelope.
Do yourself a favour and pick out one of your favourite versions of Zeppelin, or Page/Plant or Robert solo, and go revisit this song. The journey will be exciting and exhilarating, and you just may find yourself feeling as if you are there, at the edge of the cliff, with arms open wide, ready to welcome the dawn of something new, something special.

Until the next time…
[ame=http://www.youtube.com/watch?v=KUhsA6EAQvQ]Babe I'm Gonna Leave You - Jimmy Page & Robert Plant, live in Paris (1998) - YouTube[/ame]
 

RWIGWH

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05 JAN 1977
I WAS TRAVELLING THROUGH SOUTH AMERICA
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I intended to be in Guadalupa for New Year’s eve but began travelling rather late and ended up en route in Mexico City, where I discovered miniatures of Mezcal Tequila - complete with worm - and the pyramids of the sun and the moon.
The music by Peruvian Yma Sumac, who is probably a reincarnated Priestess of the Inca, provides the mystery and ritual just to sonically enhance the image.
[ame=http://www.youtube.com/watch?v=G6H2PTNbWnE]yma sumac - chuncho - YouTube[/ame]

 

PecMan

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[ame=http://www.youtube.com/watch?v=ABJWCLr55cU]Miriam Hernandez - Se Me Fué - YouTube[/ame]
 

RWIGWH

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lol wtf are you doin here?? ? I had no idea you even LOOKED! But I am happy you did! Welcome anytime my friend.
 

RWIGWH

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Song Of The Day

YOU SHOOK ME... ALLLLLLLALLLLLLLALLLLLLLLLLLALLLLLLLLLALLLLLLLLALLLLLLLLLLLALLLLLLLLALLLLLLLL NIGHT..LAHHHHHHHHHHNNNNNNG. Well, no denying what today's song is, huh? So let's jump right into it. From the very first Led Zeppelin album, track three, clocking in at 6:30, the Willie Dixon classic, "You Shook Me".
A major tour-de-force to be quite sure. Steeped in the blues, every member of the group absolutely shines on this one. Jimmy starts things off with an acapella guitar intro, then Bonzo and Jonsey enter into the fray. Zep pounding out the blues for all it's worth, grooving on that steady beat. This ain't your mommy and daddy's blues, this is HEAVY blues baby.
"You know you shook me you shook me all night long..."
Yes, tell it Robert. All of what, 20 years old when he sang this. Bleeding amazing vocals. Willie Dixon must have freaked when he heard what these Brits had done to his song. Oh well, he got paid for it.
"You shook me so... hard baby... baby baby please come home..."
Who doesn't just love this stuff? It's so simple, yet so effective. After the "bird that whistles, bird that sings" line Jonsey treats us to a wonderful organ jam. Bluesy and pouring with emotion, then Robert blasts in on the harmonica. With his own vocals beckoning in the background, Percy shows he can jam on that little wind instrument.
As Robert bows out, Jimmy steps in and rips some killer licks out of his Telecaster. Not the cliche` licks one tends to hear, but his own. Jimmy's personal blues licks. Then there is that one note, at 4:16, man, the way that note just hovers there, it chills me everytime.
Bonham shows his blues chops in fine form, getting in some cool fills of his own, but mostly keeping a steady foot, supplying the BEAT. Notice how during the solo's of Jonsey and Robert he never overplays, then when Jimmy steps in he explodes and goes off. As if Jimmy was truly inspiring him at that precise moment. Magic caught on tape.
Finally we get to that famous call and response section. Robert: Ah Ah. Jimmy doubles it on the guitar. Back and forth, back and forth, Jimmy changing it up, then another beautifully suspended note, then Robert's orgasmic cry... Oh God, here we go again. Zeppelin were the masters at PERFORMING sex in a song. Not just singing about it, but making the listener feel as if they had just experienced a great encounter.
Live, this was always a standout song. Performed on all the 1968/69 tours save from the last 1969 trek. Played during 1971/72 as a medley with "Whole Lotta Love". The boots from the early tours that I have all include killer versions of "...Shook...", they never failed to bring down the house with this, especially the call and response part, Robert teasing the crowd, extending things. This has to be included on any live Zep compilation. In 1975, at Earl's Court, and in the 1977 shows that featured "In My Time Of Dying" it was also featured as a slight reprise at the end of "Dying".
An absolutely awesome track from Zeppelin. Blues. Heavy. Great musicianship. Sex. It's all there. Check this one out immediately, it never fails to thrill.
Till we meet again... Rock on
[ame=http://www.youtube.com/watch?v=tUHDKRteTeQ]Led Zeppelin - You Shook me - BBC Sessions 1-13 - YouTube[/ame]
 

RWIGWH

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Led Zeppelin Legend John Bonham’s Drumstick Fetches Big Money

by: Karen 'Gilly' Laney 39 minutes ago

eBay

Led Zeppelin drummer John Bonham’s original ’70?s drumstick sold for over a thousand British Pounds earlier this month in an eBay auction. Only three people were involved in the one week auction, and the buyer who placed the first bid ended up winning the prize. The final amount, you ask? Drum-roll please: the drumstick sold for the equivalent of $1625.37 dollars.
It’s not often that a ‘used’ item is more desirable than a ‘new’ item but when it comes to something such as this, it’s the ‘used’ label that commands the high price tag. One close look at the picture reveals that this drumstick was definitely used. The fact that it’s said to be used by the late, legendary John Bonham during a Led Zeppelin concert gives it mammoth value.
The seller claims that this drumstick was purchased from a collector and was originally made for Bonham by a custom drum builder named Eddie Ryan. He commissioned the company, named Promuco, to manufacture these sticks for Bonham.
Bonham’s name is embossed in scripted silver print across the stick (but the silver is beginning to fade) and the ‘Promuco’ stamp is still legible. Apparently, Ryan made custom drumsticks for Simon Kirke from Free and Bad Company as well.
The seller insisted that this drumstick would make an “ideal present for a fan of the late Bonzo.” Clearly that depends on how zealous you are to bang on your drum with a very expensive drumstick.
Ultimate Classic Rock
 

katt

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Huge fan . As Keith Richards has been quoted " Jimmy Page is the best guitarist I have ever known" And Keith often doesn't have a lot of good things to say about his contemporaries . I know Jimmy wants to do a reunion but it seems Plant always has a reason not to .
 

RWIGWH

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Katt, nice to have another fan aboard. Robert has had more excuses than a battered woman in the past, but the bottom line is John Bonham could have never be replaced.
Keith calls Jimmy the "Shy boy"...and Jimmy has played with the Stones on more than one occasion. You can hear him clearly here...
[ame=http://www.youtube.com/watch?v=uqbmgsuHcYY]One Hit To The Body - The Rolling Stones - YouTube[/ame]

Huge fan . As Keith Richards has been quoted " Jimmy Page is the best guitarist I have ever known" And Keith often doesn't have a lot of good things to say about his contemporaries . I know Jimmy wants to do a reunion but it seems Plant always has a reason not to .
 

katt

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Katt, nice to have another fan aboard. Robert has had more excuses than a battered woman in the past, but the bottom line is John Bonham could have never be replaced.
Keith calls Jimmy the "Shy boy"...and Jimmy has played with the Stones on more than one occasion. You can hear him clearly here...
One Hit To The Body - The Rolling Stones - YouTube

Thanks for the post . I was listening hard for Jimmy on that track . I have no doubt that he's there but honestly , Keith's open G tuning seems the much more dominant sound ? Jimmy sounds like he might being doing the leads ?
 

RWIGWH

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Katt, pick it up @ 4:10 you can hear Jimmy rockin the B-bender...
 

katt

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Yep, thought that was him, thanks for confirming it .

I have tried in the past to compare Jimmy and Keith . They are just so different .....
I'm glad that they have worked together . Respect .
 

RWIGWH

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Both alpha's in regards to their work...But always got along very well. You can see Jimmy here borrowing Keith's rhythm section lol...
[ame=http://www.youtube.com/watch?v=2w477FTZrlQ]Willie and the Poor Boys - YouTube[/ame]


Yep, thought that was him, thanks for confirming it .

I have tried in the past to compare Jimmy and Keith . They are just so different .....
I'm glad that they have worked together . Respect .
 

RWIGWH

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On this day… 06 Jan 1975
I planned to play Boston Garden with Led Zeppelin

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On researching for this website, I discovered that on January 6th 1975 there had been an incident at the Box Office at Boston Garden in Boston, Massachusetts that had involved a sale / non-sale of tickets to thousands of fans. Police were called and it all ended with the scheduled Led Zeppelin show being cancelled by Mayor Kevin H White (who saw red) and, even more, there was apparently a five-year ban put on the band playing the venue. I was blissfully unaware of any of these shenanigans, but the Mayor was, by all accounts, a Rolling Stones fan! I played in Boston again in 1995 at The Fleet Center with Page & Plant.
 

rol_man

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Good to see more fans following this thread!