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40 Years..Where did they go?

RWIGWH

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14TH MAY 1991
I IMPLODED INTO THE STAGE

During the early part of May 1991, I had been writing with David Coverdale at his house in Nevada, in preparation for a joint project album. On May 14th, another act with his management, Poison, were playing at Reno. We took the evening off to go and see them. I wasn’t that keen, but was encouraged to come up and play someone else’s guitar on a version of ‘Rock and Roll’ with David on vocals. We were introduced stage centre and as the number began I started moving and playing to stage left out of the spotlight. I found myself falling through a pryo pit that was cut into the stage and nobody had warned me about it. I emerged with a few cracked ribs and a broken guitar but I still managed to carry on until the end of the song! Apart from a few twinges, this didn’t affect the ongoing writing process with David.
 

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ON THIS DAY… 15 MAY 1964
‘HOLD ME’ BY PJ PROBY WAS RELEASED
On this day in 1964, the single ‘Hold Me’ - on which I played the chugging rhythm guitar - by PJ Proby was released. The solo was played by Big Jim Sullivan, to whom I loaned my recently introduced fuzzbox - a distortion/sustain pedal. PJ Proby was a good guy and friendly with the musicians. He had been a very good Elvis imitator whilst in the States.
His vocal techniques, as highlighted in the Westside Story’s ‘Somewhere’, were refreshing and unique in the UK at that time. With Bobby Graham on drums, the spirit of the ‘Hold Me’ session was electrifying that evening.
[ame="http://www.youtube.com/watch?v=73_Ox-E0SeM"]P.J. Proby - Hold Me (1964) - YouTube[/ame]
 

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ON THIS DAY… 16 MAY 1995
I PLAYED THE LA FORUM WITH ROBERT PLANT
3_160595.jpg

This is the first Page & Plant date of two at the Forum in LA on the ‘Spring in North America’ leg of the World Tour 1995. Augmented by the LA Philharmonic, we were set to introduce the audience to an array of musical colours that they had not previously experienced, with classically trained musicians providing an acoustic pad for our Egyptian string players to fly with exotic melody.
REVIEW: Los Angeles Times
PAGE AND PLANT RAMBLE ON, UNLEDDED
In a powerhouse opening, Page, Plant and a core rock band made up of Michael Lee and Charlie Jones, the young drummer and bassist from Plant’s own band, plus the Cure’s guitarist, Porl Thompson, revved up a couple of Zep numbers in thrilling fashion. Later, in a resounding ending, a locally-recruited 20-strong string section and the eight-man ensemble of Egyptian violinists and percussionists heard on the recent Page-Plant “No Quarter” album gave fresh twists and enhanced intensities to a few more catalogue nuggets.
The Egyptian magic began to take hold with “Four Sticks,” as sinuous, then staccato violin passages augmented the hypnotic effect of the song’s churning beat. “In the Evening” closed the regular set with the Egyptians and strings boosting one of Page’s most regal riffs. The show-closing “Kashmir” was a 14-minute journey in which Page slashed out sustained chords with relish, while the Egyptians ratcheted up the tension with interludes of string and percussion work that both delayed and intensified the caravan song’s inexorable march
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Setlist

1. Tale Of Bron
2. Thank You
3. Bring It On Home
4. Ramble On
5. Shake My Tree
6. Lullaby
7. No Quarter
8. Gallows Pole
9. Hurdy Gurdy Solo / Nobody's Fault But Mine
10. Hey Hey What Can I Do
11. The Song Remains The Same
12. Since I've Been Loving You
13. Friends
14. Calling To You (inc. Down By The Seaside, Break On Through & Dazed And Confused)
15. Four Sticks
16. In The Evening
17. Black Dog
18. Kashmir

 

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ON THIS DAY… 17 MAY 1975
I PLAYED EARLS COURT WITH LED ZEPPELIN
On this day in 1975, I began the first date of a set of five at the Earls Court Arena in London with Led Zeppelin. This is the first time that a huge back projection screen had been used in England. Quite a number of hours were spent by the production team convincing the Greater London Council that the lasers, which had recently been employed by us on tour in the USA, were not going to cause substantial damage.
It is amusing to look back on this now, because the effect was no more than a laser pen, but from little acorns, mighty Oaks do grow!
 

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ON THIS DAY… 18 MAY
I PLAYED IN BIRMINGHAM
1977
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Led Zeppelin played the Jefferson Civic Center Coliseum in Birmingham, AL on the 1977 tour of the US. Just about any of the 1977 concerts were gripping by their dynamics.
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Also on this day, in 1985, The Firm played the NEC in Birmingham, UK. By all accounts it was an emotional concert.



[ame="http://www.youtube.com/watch?v=9toxk8Iuh9U"]Led Zeppelin - Live in Birmingham, AL - May 18, 1977 - YouTube[/ame]
 

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http://dogsondrugs.com/2012/05/18/w...loving-shit-out-of-every-other-rock-band-ever



Why Led Zeppelin Kicks The Everloving Shit Out Of Every Other Rock Band, Ever

Posted by Greg on May 18th, 2012
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For those of you who are mentally retarded or have been living in a coma on the surface of the sun for the last forty years, Led Zeppelin is an utterly kick ass rock band that dominated the 1970’s, and rocked so ******* hard that groupies are still walking funny to this very day. Seriously, rock and roll scientists at the Institute For Killer Riffs And Blown Minds estimate that if every Zeppelin fan on Earth were to play Communication Breakdown at top volume simultaneously, the resulting blast would tear a hole in the fabric of spacetime, ending the universe as we know it. And that would still be less intense than seeing them play live.
Needless to say, all other bands are mere pretenders to the title of Rock Gods. But rather than continue to sing the praises of Led Zeppelin (instead preferring to save this for my upcoming book, “Fuck You, Led Zeppelin Rulesâ€), let us compare Led Zeppelin to some lesser bands. Please note that I do not dislike any of the following bands, it’s just that it’s like comparing a serviceable Honda Accord to a Lamborghini with a trunk full of double necked guitars, drugs, and loose chicks.
The Beatles – The Beatles are the most commonly named “best group of all time†other than Led Zeppelin.
The Beatles, on their way to buy Paul some ******* shoes.

Notable Accomplishments: Making millions of teenage girls do that shrieking thing they do when they see a friend they haven’t seen in a long time; Ordered Charles Manson to kill a bunch of people; Somehow got people to love a song that ends with 28 minutes of “naaa-naaa-na-nanana-naaaa-nanana-naaaaâ€.
Why They’re Good: The almost single-handedly created the rock band as we know it today. Before the Beatles, everyone had Pat Boone posters on their walls and huffed freshly mimeographed test papers for a buzz. After the Beatles, everyone grew their hair down to their knees and dropped acid in doses so large that people not only forgave all the filler in the White Album, but thought it was pretty good.
Why They’re Not As Good As Zeppelin: Paul McCartney, talented as he was, kinda had a vagina when it came to writing rock songs. It was almost as if you took a good rock band and then threw in Jewel just to see what would happen. “Yesterday, love was such an easy game to play.†Yeah, I guess so, Miss. Now if you don’t mind, the ******* playoffs are on.
John Lennon was cool until he started running around nude and shrieking with Orientals. George Harrison was an incredible guitarist who learned how to write great rock songs, and so the Beatles limited him to 2 or 3 per album so we could listen to Golden Slumbers. Thanks, guys. And studies have shown that the Beatles would have been no different if they had replaced Ringo Starr with a ham sandwich.
The Who – The Who are a classic rock band best known for their mega-selling album, Tommy.
Tommy is a rock opera centered around a child with “special needsâ€, a role Roger Daltrey was born to play.

Notable Accomplishments: Married the thrill of rock and roll with the yawn inducing boredom of opera; Managed to continue touring after every founding member had died of an overdose; Wrote a classic song for television crime drama CSI: Miami consisting entirely of the following lyrics, “YEEEEEEEAAAAAAAAAAAAHHHHHHHHHHHH!â€
Why They’re Good: Who’s Next is a stellar rock album, and a perfect example of what bands should aim for when in the studio. Track after track of blistering rock played loud and well. Also, Keith Moon played drums like a six-armed alien from planet Fuckyeah.
Why They’re Not As Good As Led Zeppelin: Pete Townshend. You can ignore his idiotic public interviews and statements (although if you do, don’t ignore the one where he claims to be a woman), and although I don’t understand why people would do this, I guess you can also ignore the fact that he was caught purchasing child pornography. Seriously. He claimed he was “doing researchâ€. Uh-huh. Try this line the next time you get caught playing with yourself and see how believable that is.
But what you can’t ignore is the fact that Pete Towshend was batshit insanely in love with the dreaded “concept album†(cue scary music). After Tommy, he attempted a reprise with Lifehouse, which was so ****** up and incomprehensible that he finally admitted that even he didn’t know what it was about. They stripped away the bullshit, and Who’s Next was the result. Yet he somehow never quite figured out that the retarded concepts he kept coming up with got in the way with what little good music he had left in him. Hey, Pete, here’s a concept for you: A bunch of good, loud, rocking songs that are held together by the fact that no one has to listen to you screech some bullshit narrative about a crippled kid while enjoying them. That, by the way, is called a rock album.
Pink Floyd – Pink Floyd are known for popularizing a genre known as space rock.
Oh, and also for having lots of lights and pretty sparkly things.

Notable Accomplishments: Making 14 year old suburban kids think life is so horribly painful; Having a founding member so profoundly ****** up on drugs that a 10 mile area around his cemetery plot is designated a toxic danger zone; Writing a song consisting entirely of an awesome explosion, which my college roommate and I played at top volume at 3:00 AM, convincing everyone else in the building that the apocalypse was at hand.
Why They’re Good: One of the few rock bands able to pull off 13 minute songs while never losing sight of the melody or veering off into oddball musical tangents. Also, holy shit, have you ever listened to Dark Side of the Moon while on mushrooms and nitrous oxide?
Why They’re Not As Good As Led Zeppelin: Something about ascending the ladder of rock stardom forces some people to impose some sort of deeper meaning on their work. If the Who dabbled in concept albums, then Pink Floyd guzzled the concept album Kool-Aid by the barrel full. Listen to any random song on The Wall or The Final Cut. Now listen to a random five minute snippet of the Military Channel. Now tell me the difference between the two. Yeah, Roger, we get it. War sucks and can **** your head up.
Also, the whole lawsuit thing in the 80’s and 90’s got pretty old. And it’s hard to fit, “David Gilmour presents Pink Floyd Without Roger Waters, Featuring the Music of Pink Floyd, But Not Anything Roger Wrote†on a marquee.
The Grateful Dead – The Dead were a legendary West Coast jam band popular in four different decades.
Albeit popular with people like this.

Notable Accomplishments: Somehow making following a band on tour carry more of a stigma than it had previously; Marrying country, folk, rock, acid, and a total lack of basic hygiene and turning it into a sound all their own; Introducing bad acid trips to kids in rural Iowa.
Why They’re Good: At their best, the Grateful Dead reintroduced classic Americana songs to a new generation, while updating them with rock flourishes and extended jams. That was cool. Plus, they made it possible to get drugs in bulk quantities every summer if you were lucky enough to have them play shows nearby.
Why They’re Not As Good As Led Zeppelin: Comparing the Grateful Dead to Led Zeppelin is like comparing Oreos to Bazookas. They’re too different to compare and contrast in any meaningful way. So, being creatures of modern day society, let’s resort to violence. Anyone who honestly thinks that John Bonham couldn’t have killed, raped, and/or skullfucked every member, spouse, or roadie associated with the Dead while in the middle of a 78 hour drinking contest involving heroin and Everclear, please raise your hand. Anyone? Anyone?
Also, it’s hard to claim the status of Rock God when your music could just as easily have been played on a rocking chair on the porch. Led Zeppelin, on the other hand, could only be properly appreciated while playing on a burning Viking ship festooned with the bodies of all the women they violated before lunch.
Bruce Springsteen – “The Boss†is known for his workmanlike concerts and songs that inspire middle class America.
Cause, you know, nothing says middle class America like a rock star who makes 47 trillion dollars a second and drives cars that cost more than the GDP of Ecuador.

Notable Accomplishments: Successfully associating an anti-American song (Born in the USA) with American patriotism; Providing employment for Clarence Clemons; Making my asshole boss in high school somehow come across as more douchey when he showed up at work on his way to a Bruce Springsteen concert dressed in pressed jeans, a white t-shirt with the sleeves rolled up, and a folded baseball cap in his back pocket. Yeah, Steve Coren, I’m talking about you!
Why He’s Good: He eschews flash and hype for a simpler method of songwriting and puts his all into every show. I mean, Bruce knows you just paid $400 for a good seat and you have to look at Clarence Clemons and Steven Van Zandt a lot of the time, so he’s gonna make it up to you by pulling some random chick out of the crowd and forcing her to dance to Dancing In The Dark while everyone [ame="http://www.youtube.com/watch?v=129kuDCQtHs"]compares her to Courtney Cox (wait till the end)[/ame] and decides that looks-wise, she resembles Courtney Cox less than she does a buttplug in a dumpster. Thanks, Boss!
Why He’s Not As Good As Led Zeppelin: If Robert Plant gargled razor blades with a chaser of battery acid, he’d still sound better than Bruce Springsteen, who apparently prepares for studio sessions by swallowing small woodland creatures. Seriously dude, have you considered a lozenge?
Also, The Boss’ lyrics are all too often predictable. Anyone can write a classic Bruce Springsteen lyric. Simply describe what you did in the first couple of hours during the day, sandwich in a chorus that mentions old model automobiles, a slightly out of fashion woman’s name, and perhaps the fact that your house has been foreclosed on, then describe what you did the last couple of hours during the day. Repeat chorus, sax solo, guitar solo, sax solo, play live for three and a half hours. Remember, I get 10% of your earnings.
The Doors – An incendiary yet provocative late 60’s band that progressed from being an oddball arty band to a mean and muscular blues band.
Oh, and apparently their lead singer liked to drink a bit.

Notable Accomplishments: Informed lead singer’s mother that he would enjoy having sexual intercourse with her; Lead singer exposed himself to a crowd in Miami, directly resulting in every lewd act to ever occur in Southern Florida; Wrote songs that allow carnival organ players to believe that they too have a shot someday (they don’t).
Why They’re Good: More than any other band, the Doors embodied paradox. A drunken, buffoonish loudmouth was considered a poet; a simple four piece band (without a bassist) could plunge a love song into a madhouse nightmare of profundity and despair; and Ray Manzarek could star in a rock band instead of playing Take Me Out To The Ball Game at minor league games. Plus they wrote songs about waking up and drinking beer.
Why They’re Not As Good As Led Zeppelin: Besides the fact that it’s hard to claim the number one spot in rock band history after you drunkenly wet your pants on stage (and yeah, Fergie, that goes for you too), when the rest of your band resembles a nerd, a serial killer, and someone who just stuck his junk in a wall socket, you’re at a huge disadvantage to start with. Throw in marathon slurred diatribes aimed at the very people who paid good money to see you after you spent said money on booze and narcotics, and it’s even tougher. Become the subject of an Oliver Stone movie, and you’re shit out of luck.
The Rest – I could go on, but I’m running low on beer, so I’ll cut to the chase:
The Rolling Stones – Do not qualify as a rock band since they technically predate music itself.
U2 – Contemporary band best known for having 1,000 songs that go “chinga-chinga-chinga-chinga-chinga-chinga-chinga-chingaâ€, and employing the Pope on vocals.
Metallica – Lords of Heavy Metal, they are responsible for fooling people into thinking sped up Bach-riffs are original. Also recorded St. Anger.
Rush – Canadian
Black Sabbath – The original Heavy Metal band, now associated with Alzheimer’s, reality TV, and octogenarians that throw devil’s horn salutes.
Styx, Journey, Foreigner, et al. – Get the **** out of here.
The Black Crowes – Shampoo, guys. Also, invest in a calendar.
Everyone New – If you honestly believe Arcade Fire, The Black Keys, Coldplay or any of this ilk belong on the list, I’d like to cordially invite you over to my house so I can kick you in the vagina.
Suck it, bitches! (actual lyric)


19 MAY 1998
I PLAYED AT PENSACOLA, FL WITH ROBERT PLANT
This was the first date of the Page and Plant North American tour and the personnel for this tour were me on guitar, Robert Plant (vocals), Charlie Jones (bass), Phil Andrews (keyboards and cuisine) and Michael Lee on drums. With a stripped-down line-up as used on the ‘Walking into Clarksdale’ album, it gave us more freedom to explore and re-work the songs, wIthout the orchestra and supplementary musicians of the 1995 Unledded Tour. And now begin: Walking into United States. Pensacola, however, was a real slammer of a show.
 

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I played three shows in Paris with The Yardbirds

On this day in 1967, I played with The Yardbirds at the HEC Business School in Paris. The dinner they gave us that night was grotesque and looked like sparrows on rice. I was vegetarian at the time, what the Hec?!
It seems not to be documented but I think we played a 'triple' in Paris around this point, ending up at a party for Eddie Barclay, whose Barclay Records was a major label in France. The Yardbirds arrived at the event but somehow we didn't get to play. Bridget Bardot was there in her leather motorcycle outfit similar to the one on the famous photo of her posing on a motorbike. She looked hot.
Brigitte-Bardot-harley.jpg
 

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On this day… 21 May 1965
I played on 'Some Things Just Stick in Your Mind' by Vashti Bunyan

On this day in 1965, I played on Vashti Bunyan's 'Some Things Just Stick in Your Mind'. It was a Jagger/Richards composition, produced by Andrew Oldham and released on Decca.
Also in this week in 1965, I played guitar on at least six records in the top thirty: the number one spot, Where Are You Now My Love by Jackie Trent; and other artists, including Burt Bacharach, Marianne Faithfull and Francoise Hardy.
[ame="http://www.youtube.com/watch?v=a0e7nQrmf40"]vashti bunyan - YouTube[/ame]






List of records released in May 1965 featuring Jimmy Page
#1 - Where Are You Now My Love (Jackie Trent)
#6 - Little Bird (Marianne Faithfull)
#18 - All Over The World (Francoise Hardy)
#24 - Little Things (Dave Berry)
#27 - Trains and Boats and Planes (Burt Bacharach)
 

BADWIN BING

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I've been out of the game for a while Zo.

I just caught up with this wonderful thread. It never fails to entertain. Kudos Sir, and long may it reign.
 

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Ty my friend...SF, Rol_Man, Mike8, and all others who enjoy the thread, thank you. Long as you guy's enjoy it, I will keep it running...
And now, on with the show...
ON THIS DAY… 22 MAY 2006
I RECEIVED THE POLAR MUSIC PRIZE WITH LED ZEPPELIN
[ame="http://www.youtube.com/watch?v=JCk6FWAltSg"]Nina Persson & TSOUL Whole Lotta Love - YouTube[/ame]
On this day in 2006, I attended the Polar Music Prize Ceremony at the Konserthuset Royal Philharmonic Concert Hall in Stockholm, which is the same venue as the Nobel Prize Ceremony.
Nina Persson of The Cardigans performed ‘Whole Lotta Love’ at the concert hall. Conny Bloom sang and played acoustically at the dinner reception.
Every year, the Polar Music Prize is awarded to someone from the field of popular music and someone from the classical world. This year it had been awarded to Valery Gergiev, the passionate Russian conductor.
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THE 2006 POLAR MUSIC PRIZE IS AWARDED TO THE BRITISH GROUP LED ZEPPELIN, ONE OF THE GREAT PIONEERS OF ROCK.
THEIR PLAYFUL AND EXPERIMENTAL MUSIC COMBINED WITH HIGHLY ECLECTIC ELEMENTS HAS TWO ESSENTIAL THEMES: MYSTICISM AND PRIMAL ENERGY. THESE ARE FEATURES THAT HAVE COME TOP DEFINE THE GENRE ‘HARD ROCK’
 

rol_man

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+1 to BB's comments and enjoying the ride however, Clarence could play a mean Sax!
 

RWIGWH

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+1 to BB's comments and enjoying the ride however, Clarence could play a mean Sax!
agreed...Those were not my thoughts, just a funny antidote I found online the other day.
 

rol_man

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agreed...Those were not my thoughts, just a funny antidote I found online the other day.
And much appreciated, this thread continues to be a learning experience for me! Thanks Zo! :thumbsup:
 

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ON THIS DAY… 23 MAY 1968
I PLAYED THE FILLMORE WITH THE YARDBIRDS
On this day in 1968, I played the first of three dates with The Yardbirds at the “mecca” of the underground, The Fillmore in San Francisco. Numbers featured that night were:
Train Kept A Rollin’
Mr You’re a Better Man Than I
Heartful of Soul
Dazed & Confused
Shapes of Things
White Summer
I’m a Man
How Many More Years
Drinking Muddy Water
Some of these numbers would appear in the set of the yet-to-be formed Led Zeppelin when we played The Fillmore again seven and half months later, in January 1969.
 

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ON THIS DAY… 24 MAY 2004
I PRESENTED B.B. KING WITH THE POLAR MUSIC PRIZE


On this day in 2004, I presented B.B. King with the Polar Music Prize. It was an honour to be invited to be a part of this, as B.B. King was a figure who inspired generations of musicians, from his contemporaries to the present day. The soundsource is ‘ rock me baby ’ from 1964.
Also a recipient of the music prize that day was György Ligeti - the avant garde classical composer whose ‘Lux Aeterna’ was featured in the film ‘2001: A Space Odyssey’.
 

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ON THIS DAY… 25 MAY 1975
I PERFORMED THE LAST NIGHT AT EARLS COURT WITH LED ZEPPELIN
On this day in 1975, it was the last Earls Court concert for Led Zeppelin for a run of nine. I’m Morocco-bound from here.
I went to Morocco with Robert Plant and stayed at La Mamounia Hotel in Marrakech. We had many an adventure in Ouarzazate, Essaouira, Guelmim and also Agadir. But it was the intoxication of the Jemaa el-Fnaa, the medieval central market square of Marrakech that we would return to some twenty years later in 1995 to perform Yallah (The Truth Explodes) during the recording of the Unledded Page & Plant project.
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26 May 1998
I appeared on 'Later with Jools Holland' with Robert Plant

Filmed on the 5th May, today in 1998 was the broadcast of the Page & Plant appearance on the Jools "The Stools" Holland Show for the BBC. We performed a fast and loose version of The Wanton Song.
[ame="http://www.youtube.com/watch?v=AtS3F6CHoHs"]Page & Plant Wanton Song Later With Jools Holland plus subsequent interview - YouTube[/ame]
 

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Thanks guys! Welcome back SF....

27 MAY 2003
‘HOW THE WEST WAS WON’ WAS RELEASED
On this day in 2003, the CD ‘How The West Was Won’ had its release. The content was comprised of a selection of 1972 performances from The Los Angeles Forum and The Long Beach Arena on the West Coast of America. My idea was to accompany the chronological content of the Led Zeppelin DVD with some killer CD audio of a performance where the band had been firing on all cylinders - and ‘How The West Was Won’ was it. There was eager anticipation of a Led Zeppelin tour in the press around this point in time. As the band was not about to tour, the DVD and CD had to suffice!